Insights into my process of digitizing film using cameras, reflecting on my journey from film to digital and the importance of technique over equipment.
Film Digitization: Technique and Exploring Creativity
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Twelve Plus Two
What a curious title, “Twelve Plus Two,” for this image, wouldn’t you agree? Learn how I turned a 4×5 black & white negative into a unique colored palette of my choosing.
Selling Over 500K Images: From Print Sales to Digital Success
As I near retirement from commercial work, I reflect on my journey as a graphic artist, photographer, and businesswoman. From selling countless prints in the pre-digital era to transitioning into web design and digital imaging, my career has been a blend of passion, adaptability, and creativity. Join me as I recount the milestones and lessons learned in my 40-year career.
FILTERS
Whether you’re a seasoned photographer or just starting out, understanding the world of camera filters can enhance your photography skills. From color balancing filters to ND filters, this guide covers everything you need to know about different types of filters, materials, and systems available in the market.
Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
I perform a number of tasks while creating image files that include bracketing + blending exposures, and slicing + stitching larger film sizes. Bracketing may not always be necessary, but with the convenience, a digital camera brings to this type of task, it cannot hurt.
Panorama In Pieces
While away on a quick personal trip to Marietta, Georgia, I tried using my favorite point-and-shoot camera, the Fujifilm x100t for panorama making. Earlier in the week, I instructed my students to make a panorama using Lightroom (LR), vertical slice shots, and manual focus for their weekly shoot assignment. After a brief walk around Marietta Square, I thought I would try and photograph a beautiful church and challenge the software with vertical and horizontal slices to see if a tourist with a point-and-shoot camera could make a decent-looking panorama and then share the results with my students.
Infrared Photography Part 2: Sigma SD1M
In Part 1 of this discussion, I explained my current foray into digital infrared (IR) photography and used the Sigma SD1M as my camera of choice. My reasons for choosing the SD1M are the user-friendly removal of the IR blocking filter, and the fact that I currently use the SD1M in my color art photography work. I like the Foveon sensor of the SD1M very much and if you want to use a Foveon sensor, you will have to use a Sigma camera.