techniques

Organizing Digital and Film Portfolios

Organizing Digital and Film Portfolios

In today’s digital world, proper organization of your photography work is essential, whether you shoot film, digital, or both. This article explores how to manage the storage of both film and digital work.

Infrared Photography Part 3: Fujifilm X-E2

Infrared Photography Part 3: Fujifilm X-E2

In My Return to Infrared Photography Part 1 and Part 2 articles, I write about my experiences and workflow using the Sigma SD1 Merrill (SD1M) as an infrared (IR) camera.

How To Use The Zone System In Photography

How To Use The Zone System In Photography

Even though the Zone System is over 80 years-old, it is still relevant today whether shooting modern films or digital capture. This article is for photographers wanting to learn more about the Zone System for their particular workflow. We will look at how the Zone System works with a classic film-to-darkroom workflow, and a hybrid film-to-digital workflow. If you are strictly a digital photographer, you will find a better understanding of what the Zone System can offer you as well.

Digitizing Film Part 1: Copy Stands, Film Holders, Medium Format

Digitizing Film Part 1: Copy Stands, Film Holders, Medium Format

I often get asked by other photographers how I digitize my film. Explaining the tools and my digitizing process would create too long of a post, so I will start with what tools I use in this post and share my process later. The information I share about the tools I use is not meant to be a commercial for selling these products. If you choose to purchase what I share in this article, I hope it is only after you have done product research. I will not talk in great length about the specifications of a product. Still, I will include the manufacturer’s web address or contact information so you can research the exact specifications.

Shooting a Rolleiflex with Studio Flash and Rolleinars

Shooting a Rolleiflex with Studio Flash and Rolleinars

In this fast-changing age of digital photography, one ingredient missing is a full frame square format camera or digital back. Yes, you can always crop off for a square, but this is not the same as looking through a dedicated square format camera’s viewfinder and being able to achieve full-resolution files. So, what does a photographer preferring the square format do? My option has always been to shoot square format film cameras.

Panorama In Pieces

Panorama In Pieces

While away on a quick personal trip to Marietta, Georgia, I tried using my favorite point-and-shoot camera, the Fujifilm x100t for panorama making. Earlier in the week, I instructed my students to make a panorama using Lightroom (LR), vertical slice shots, and manual focus for their weekly shoot assignment. After a brief walk around Marietta Square, I thought I would try and photograph a beautiful church and challenge the software with vertical and horizontal slices to see if a tourist with a point-and-shoot camera could make a decent-looking panorama and then share the results with my students.

Infrared Photography Part 2: Sigma SD1M

Infrared Photography Part 2: Sigma SD1M

In Part 1 of this discussion, I explained my current foray into digital infrared (IR) photography and used the Sigma SD1M as my camera of choice. My reasons for choosing the SD1M are the user-friendly removal of the IR blocking filter, and the fact that I currently use the SD1M in my color art photography work. I like the Foveon sensor of the SD1M very much and if you want to use a Foveon sensor, you will have to use a Sigma camera.

Infrared Photography Part 1: Sigma SD1M

Infrared Photography Part 1: Sigma SD1M

I first tried infrared (IR) photography back in the mid-1990s with a Nikon F3 camera and lenses and the now discontinued Kodak High-Speed Infrared film (Kodak HIE). It was more difficult to shoot IR film when compared to my recent tryout with IR digital because: (1) the film had to be loaded and unloaded in total darkness which made reloading out in the field difficult and (2), you had to wait for the film to be processed to see the results.