The Stream That Remains

THE STREAM THAT REMAINS

Camera: Hasselblad 907x 50c
Lens: Hasselblad XCD 28/4 P
Digital: 50 MP [44×33] CMOS
Software: Adobe Lightroom

   Location: Duval County, FL
   Date: May 2025
   Lighting: Daylight
   Genre: Narrative

 

The Stream That Remains

I once saw a stream winding through the marsh like a silver thread
a quiet lifeline pulsing through reeds and grasses,
carving its story into the land,
nourishing all it touched.

Herons stood tall in its shallows,
fish flickered like fleeting thoughts in mirrored pools,
and even the trees leaned in,
as if drawn to the song of its flowing heart.

But time, as it always does, began to undo.
Seasons circled, storms reshaped the earth,
and the rains became uncertain.
The stream, still giving, began to fade.

Its banks, once softened by movement,
turned brittle beneath the sun.
It no longer coursed with confidence,
only shimmered, thin and tired, under a weight too bright.

Yet around it, life thrived.
The marsh thickened, green and buzzing.
Flowers bloomed, insects hummed, birds sang.
The world it had nourished marched on,
seemingly unaware that the stream
its origin—was vanishing.

It seemed a quiet injustice:
to give so much, only to go unnoticed.

But the stream did not protest.
It had never known rage.
It curved gently through the earth,
holding its form even as it emptied.

In stillness, it caught the sky more clearly.
In silence, it became memory—
a path of light, etched in the land.

There are seasons like this in life.

Times when we feel forgotten,
spent, unnoticed—
while the world grows vibrant around us.

We wonder if we still matter,
if the work, the love, the effort we gave
meant anything at all.

But like the stream,
we’ve shaped the land.

Our path holds the imprint of presence.
Even in quietness, we remain
a thread that still reflects the sky.

Not every chapter roars.
Some whisper, some are silent.
But all matter.

Behind The Lens

We recently spent time in Duval County, exploring the serene landscapes of Little and Big Talbot Islands near Jacksonville. While the area offers a variety of attractions, I often find myself drawn to the quieter, less-traveled paths. Nature beckons, and I feel compelled to follow, even into the marshes some might overlook.

Equipped with my Hasselblad, I ventured into the marshlands. The sun hung low, casting a golden hue over the landscape, while the heat lingered in the air. I moved swiftly to capture the scene, aware that dusk would soon invite the mosquitoes.

A particular stream caught my attention—its shimmering surface reflecting the sunlight, winding gently through the marsh. It evoked thoughts of life’s ebb and flow, the quiet persistence amidst change. I paused, offering silent gratitude for the moment and the natural beauty.

Returning to the car, I was greeted by my patient companion, whose warm smile and understanding eyes reminded me of the shared joy in these simple adventures. As I settled in, slightly weary and touched by the day’s heat, I couldn’t help but feel a deep appreciation for the experience, the companionship, and the enduring allure of nature.

Recent Posts

4×5 Film Holders: Care & Carry

4×5 Film Holders: Care & Carry

Learn how a simple pastry brush keeps dust out of film holders—a timeless technique I learned in photography school and still use today for clean, sharp images.

DIY Custom Case for Your Digital Back

DIY Custom Case for Your Digital Back

I’ve assembled a collection of photography-related items, such as lens cases, equipment bags, and backpacks. While some of these cases are passed on with gear I’ve sold, I’ve retained a specific type of Tamrac lens case due to its durable and lightweight design, featuring a convenient top handle. The centrally located top handle in lens cases proves highly practical, facilitating easy access when reaching into a backpack from above. In this DIY article, I’ll guide you through how I created a custom case for carrying my digital back and backup batteries on location, using readily available materials. Typically, I store my digital back and batteries in a Pelican case when not shooting. Still, I occasionally leave my gear in its bag after a shoot and leave the digital back and batteries in the DIY case, as it offers excellent protection within my camera bag.

Camera Bag Versatility

Camera Bag Versatility

While assembling my Fuji X-Pro2 (XP2) kit, I began looking for a lightweight bag to store it all in. I wanted the bag to carry my lenses in cases and be easy to work out of from the back of a vehicle. I also use the XP2 in the studio, so the bag had to offer something. Would it be possible to find such a versatile bag?

Panorama In Pieces

Panorama In Pieces

While away on a quick personal trip to Marietta, Georgia, I tried using my favorite point-and-shoot camera, the Fujifilm x100t for panorama making. Earlier in the week, I instructed my students to make a panorama using Lightroom (LR), vertical slice shots, and manual focus for their weekly shoot assignment. After a brief walk around Marietta Square, I thought I would try and photograph a beautiful church and challenge the software with vertical and horizontal slices to see if a tourist with a point-and-shoot camera could make a decent-looking panorama and then share the results with my students.

Infrared Photography Part 2: Sigma SD1M

Infrared Photography Part 2: Sigma SD1M

In Part 1 of this discussion, I explained my current foray into digital infrared (IR) photography and used the Sigma SD1M as my camera of choice. My reasons for choosing the SD1M are the user-friendly removal of the IR blocking filter, and the fact that I currently use the SD1M in my color art photography work. I like the Foveon sensor of the SD1M very much and if you want to use a Foveon sensor, you will have to use a Sigma camera.

Infrared Photography Part 1: Sigma SD1M

Infrared Photography Part 1: Sigma SD1M

I first tried infrared (IR) photography back in the mid-1990s with a Nikon F3 camera and lenses and the now discontinued Kodak High-Speed Infrared film (Kodak HIE). It was more difficult to shoot IR film when compared to my recent tryout with IR digital because: (1) the film had to be loaded and unloaded in total darkness which made reloading out in the field difficult and (2), you had to wait for the film to be processed to see the results.