I share images of classic cars made with the Sigma SD1 Merrill and Sigma 35mm f/1.4 Art Lens from a trip to an antique car show in Gadsden County, Florida.
Mercury Classic
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Film Digitization: Technique and Exploring Creativity
Insights into my process of digitizing film using cameras, reflecting on my journey from film to digital and the importance of technique over equipment.
Twelve Plus Two
What a curious title, “Twelve Plus Two,” for this image, wouldn’t you agree? Learn how I turned a 4×5 black & white negative into a unique colored palette of my choosing.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
The Cutting Room Floor: A Creative Exploration Story
This article explores the rationale behind utilizing high-megapixel cameras or merging multiple images of a scene to produce a high-megapixel composite.
Infrared Photography Part 3: Fujifilm X-E2
In My Return to Infrared Photography Part 1 and Part 2 articles, I write about my experiences and workflow using the Sigma SD1 Merrill (SD1M) as an infrared (IR) camera.
Digitizing Film Part 3: APS-C, Lightroom, Film Storage, more
I have been digitizing my film at the kitchen table with my very capable Kaiser RS 2 XA Copy Stand, Fujifilm X-Pro3, and Skier Sunray Copy Box. I have learned a few things from doing this and felt it was time for an update.
Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
I perform a number of tasks while creating image files that include bracketing + blending exposures, and slicing + stitching larger film sizes. Bracketing may not always be necessary, but with the convenience, a digital camera brings to this type of task, it cannot hurt.
Panorama In Pieces
While away on a quick personal trip to Marietta, Georgia, I tried using my favorite point-and-shoot camera, the Fujifilm x100t for panorama making. Earlier in the week, I instructed my students to make a panorama using Lightroom (LR), vertical slice shots, and manual focus for their weekly shoot assignment. After a brief walk around Marietta Square, I thought I would try and photograph a beautiful church and challenge the software with vertical and horizontal slices to see if a tourist with a point-and-shoot camera could make a decent-looking panorama and then share the results with my students.
Infrared Photography Part 2: Sigma SD1M
In Part 1 of this discussion, I explained my current foray into digital infrared (IR) photography and used the Sigma SD1M as my camera of choice. My reasons for choosing the SD1M are the user-friendly removal of the IR blocking filter, and the fact that I currently use the SD1M in my color art photography work. I like the Foveon sensor of the SD1M very much and if you want to use a Foveon sensor, you will have to use a Sigma camera.