This article explores the rationale behind utilizing high-megapixel cameras or merging multiple images of a scene to produce a high-megapixel composite.
The Cutting Room Floor: A Creative Exploration Story
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Shading and Enhancing: The Matte Box Advantage
I discovered that a matte box, typically used with DSLR and video cameras, can also be an excellent accessory for other camera types, like panoramic and large-format cameras.
Film and Digital with Iconic Hasselblad Cameras
Discover how to balance between film and digital photography using two unique Hasselblad cameras from the V system. Explore the intricate dance between classic and contemporary methods in capturing artistic expression.
LINHOF CAMERAS
Explore the world of Linhof cameras and gear, including the Baby Color 6×9, Master Technika 3000, Techno Rollex, and bellows focusing viewer. Discover the precision engineering and craftsmanship that make Linhof products a top choice for professional photographers.
ALPA CAMERAS
ALPA has become my preferred medium format system in the digital age due to its precision, durability, lightweight design, and versatility. It performs admirably in studio settings with a digital back and in outdoor landscapes with film or digital capture.
Considering the expenses associated with digital backs, lenses, and other accessories, the ALPA system is undoubtedly a high-end investment. Even in the secondary market, ALPA equipment commands significant prices, with certain lenses being particularly rare and challenging to find. Nonetheless, transitioning to the ALPA system was the ideal choice for me, as I was transitioning from primarily using Hasselblad and 4×5″ film cameras to medium format digital. I started with my first ALPA body, the MAX, in 2012, and I have no regrets and would gladly reinvest in the ALPA system if faced with the same circumstances.
Lens Case Recycling: Updating Labels
In my prior article titled, Camera Bag Versatility, I explained how I use lens cases to stow most of my lenses and some smaller gear items. As time passes, we face gear upgrades and letting go of gear we ended up not using enough to justify keeping. Well when this happens to me, I like to recycle my lens cases when I can. I use a very simple method that works for me and may work for you. Below is the former case for my Fujifilm 23/2 lens that became available when I passed the lens on to another photographer because I found I never used it.
Camera Bag Versatility
While assembling my Fuji X-Pro2 (XP2) kit, I began looking for a lightweight bag to store it all in. I wanted the bag to carry my lenses in cases and be easy to work out of from the back of a vehicle. I also use the XP2 in the studio, so the bag had to offer something. Would it be possible to find such a versatile bag?