Photography inspiration from a found leaf transformed in Lightroom and Photoshop, pairing an old image with a haiku about love, change, and letting go.
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Stargazer: A Reflection on Light, Stillness, and Craft
A reflection on creating Stargazer, a still life made with one light, a mirror, and intention—rooted in the early lessons of light, craft, and simplicity.
Infrared Photography at Big Talbot Island: Magic in Monochrome
Discover the surreal beauty of Big Talbot Island through infrared photography. Explore Boneyard Beach and uncover a world unseen by the naked eye.
Same Scene, Different Vision: Study in Film & Digital Photography
Explore the unique visual stories behind two images of a bouquet in a purple vase, captured with different cameras and processing techniques. #photography
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
The Cutting Room Floor: A Creative Exploration Story
This article explores the rationale behind utilizing high-megapixel cameras or merging multiple images of a scene to produce a high-megapixel composite.
Digital Infrared Photography: Fujifilm X-E2
A working photographer’s guide to a Fujifilm X-E2 (590nm) IR kit—why 590nm, lenses that avoid hotspots, a simple LR/PS workflow, and field notes.
Digitizing Film Part 3: APS-C, Lightroom, Film Storage, more
I have been digitizing my film at the kitchen table with my very capable Kaiser RS 2 XA Copy Stand, Fujifilm X-Pro3, and Skier Sunray Copy Box. I have learned a few things from doing this and felt it was time for an update.
Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
I perform a number of tasks while creating image files that include bracketing + blending exposures, and slicing + stitching larger film sizes. Bracketing may not always be necessary, but with the convenience, a digital camera brings to this type of task, it cannot hurt.
Digitizing Film Part 1: Copy Stands, Film Holders, Medium Format
Curious how I digitize film? In this post, I share the tools I use—without sales hype—plus links for specs. My digitizing process will follow in a future post.
Panorama In Pieces
On a trip to Marietta, Georgia, I used my Fujifilm X100T to create a panorama, testing Lightroom’s stitching method I’d just assigned to my students.
