Discover the captivating experience of capturing a the beauty of the St. George Island bridge.
St. George Island Bridge
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Hokkaido, by Michael Kenna
Michael Kenna’s Hokkaido is a visual and emotional journey through Japan’s northernmost island’s serene and mystical landscapes.
The Art of Pre-Visualization in Landscape Photography
In this article, I share the previsualization technique that guides me to where I need to set up the camera.
The Custard Castle: A Tale of Time and Memories
The golden hour cast a warm, amber glow over the Custard Castle, its neon signs flickering to life as dusk approached.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
A Photographer’s Journey: How a Hasselblad Shaped My Career
In the summer of ’85, a chance encounter at KEH Camera Brokers led to the acquisition of a Hasselblad camera that transformed my photography career.
The Cutting Room Floor: A Creative Exploration Story
This article explores the rationale behind utilizing high-megapixel cameras or merging multiple images of a scene to produce a high-megapixel composite.
Film and Digital with Iconic Hasselblad Cameras
Discover how to balance between film and digital photography using two unique Hasselblad cameras from the V system. Explore the intricate dance between classic and contemporary methods in capturing artistic expression.
HASSELBLAD FILM AND DIGITAL CAMERAS
For those seeking the ultimate medium format camera system, look no further than Hasselblad. Renowned for its robust, modular design, Hasselblad cameras are built to withstand the rigors of a commercial photography career. With interchangeable components like lenses, viewfinders, film magazines, and digital backs, Hasselblad offers unparalleled flexibility and dependability. Whether shooting film or digital, on location or in the studio, Hasselblad’s V-series and digital backs deliver exceptional image quality and durability. Discover the timeless appeal and innovative features of Hasselblad, a trusted name in professional photography.
COOKE PS945 LENS
The lens I most regret parting with is the Cooke PS945 soft-focus portrait lens. I let it go when I transitioned from 4×5 portraits to medium-format digital, primarily with ALPA cameras and lenses. I needed the money, so I sold it for the same $3,500 I had originally paid. Today, it’s worth more than double that if you can find one since Cooke no longer manufactures them. This lens would have been perfect for still-life imagery. Unfortunately, as I’m approaching retirement, I won’t have the same income to afford another. Those fortunate enough to own a PS945 are truly lucky.
LIGHT METERS
Learn about the best light meters for photography, including the Gossen Luna Pro F, Sekonic L-558R Dualmaster, Pentax Digital Spotmeter, and Minolta Spotmeter F. These tools are essential for accurate light metering in various photography situations.
FILM + PROCESS
Explore the world of film photography with a detailed look at different film formats, darkroom tools, and film processing equipment. From favorite testing films to preferred film formats, this article delves into the author’s experiences and preferences in the realm of film photography.
ALPA CAMERAS
ALPA has become my preferred medium format system in the digital age due to its precision, durability, lightweight design, and versatility. It performs admirably in studio settings with a digital back and in outdoor landscapes with film or digital capture.
Considering the expenses associated with digital backs, lenses, and other accessories, the ALPA system is undoubtedly a high-end investment. Even in the secondary market, ALPA equipment commands significant prices, with certain lenses being particularly rare and challenging to find. Nonetheless, transitioning to the ALPA system was the ideal choice for me, as I was transitioning from primarily using Hasselblad and 4×5″ film cameras to medium format digital. I started with my first ALPA body, the MAX, in 2012, and I have no regrets and would gladly reinvest in the ALPA system if faced with the same circumstances.