If you use a 4×5 or any bellows camera, knowing when and how to apply bellows extension compensation is key. This guide covers simple, effective methods.
search/results
back to: [ post index ] or [ keyword tags ]
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
Shading and Enhancing: The Matte Box Advantage
I discovered that a matte box, typically used with DSLR and video cameras, can also be an excellent accessory for other camera types, like panoramic and large-format cameras.
FILM + PROCESS
Explore film photography gear, formats, and tools—plus personal insights on testing films, processing equipment, and favorite formats from hands-on experience.
Shedding Light on Filter Factors: A Guide to Optimizing Exposure in Photography
This article explores filter factors, explaining their function and presenting three distinct methods for calculation.
Balancing Light: A Simple Guide to Pinhole Exposure
Learn how to determine perfect exposure for pinhole photography using a light meter reading and a simple conversion factor—no gadgets required.
Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
I perform a number of tasks while creating image files that include bracketing + blending exposures, and slicing + stitching larger film sizes. Bracketing may not always be necessary, but with the convenience, a digital camera brings to this type of task, it cannot hurt.
Panorama In Pieces
On a trip to Marietta, Georgia, I used my Fujifilm X100T to create a panorama, testing Lightroom’s stitching method I’d just assigned to my students.
