Calibrating the Nikkor SW 90mm on a Fotoman 6×17 for hyperfocal focus with field tests, film notes, and image results using 510 Pyro and AGO processor.
Calibrating New Glass to a Fotoman 6×17 Lens Cone: Part Two
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Fitting New Glass to a Fotoman 6×17 Lens Cone: Part One
Learn to fit a new lens on a Fotoman 6×17, install a Nikkor 90mm f/4.5, adjust spacing for infinity focus, and replace screws for a secure fit.
The Art of Pre-Visualization in Landscape Photography
In this article, I share the previsualization technique that guides me to where I need to set up the camera.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
HASSELBLAD FILM AND DIGITAL CAMERAS
For those seeking the ultimate medium format camera system, look no further than Hasselblad. Renowned for its robust, modular design, Hasselblad cameras are built to withstand the rigors of a commercial photography career. With interchangeable components like lenses, viewfinders, film magazines, and digital backs, Hasselblad offers unparalleled flexibility and dependability. Whether shooting film or digital, on location or in the studio, Hasselblad’s V-series and digital backs deliver exceptional image quality and durability. Discover the timeless appeal and innovative features of Hasselblad, a trusted name in professional photography.
FOTOMAN CAMERAS
Explore the world of Fotoman 617 cameras and gear in this comprehensive guide, covering everything from camera specs to DIY accessories. Discover the beauty of panoramic film photography with the iconic Fotoman 617 and Fujinon SW 90/8 lens.
FILM + PROCESS
Explore the world of film photography with a detailed look at different film formats, darkroom tools, and film processing equipment. From favorite testing films to preferred film formats, this article delves into the author’s experiences and preferences in the realm of film photography.
Infrared Photography Part 1: Sigma SD1M
I first tried infrared (IR) photography back in the mid-1990s with a Nikon F3 camera and lenses and the now discontinued Kodak High-Speed Infrared film (Kodak HIE). It was more difficult to shoot IR film when compared to my recent tryout with IR digital because: (1) the film had to be loaded and unloaded in total darkness which made reloading out in the field difficult and (2), you had to wait for the film to be processed to see the results.