I share images of classic cars made with the Sigma SD1 Merrill and Sigma 35mm f/1.4 Art Lens from a trip to an antique car show in Gadsden County, Florida.
Mercury Classic
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Twelve Plus Two
What a curious title, “Twelve Plus Two,” for this image, wouldn’t you agree? Learn how I turned a 4×5 black & white negative into a unique colored palette of my choosing.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
Exploring 40 Years of Photography, Art, and Knowledge
As photoscapes.com undergoes a transformation from selling prints to sharing information, a seasoned commercial artist and photographer with 40 years of experience offers insights into camera gear, film photography, and upcoming projects.
ALPA CAMERAS
ALPA has become my preferred medium format system in the digital age due to its precision, durability, lightweight design, and versatility. It performs admirably in studio settings with a digital back and in outdoor landscapes with film or digital capture.
Digitizing Film Part 1: Copy Stands, Film Holders, Medium Format
I often get asked by other photographers how I digitize my film. Explaining the tools and my digitizing process would create too long of a post, so I will start with what tools I use in this post and share my process later. The information I share about the tools I use is not meant to be a commercial for selling these products. If you choose to purchase what I share in this article, I hope it is only after you have done product research. I will not talk in great length about the specifications of a product. Still, I will include the manufacturer’s web address or contact information so you can research the exact specifications.
Shooting a Rolleiflex with Studio Flash and Rolleinars
In this fast-changing age of digital photography, one ingredient missing is a full frame square format camera or digital back. Yes, you can always crop off for a square, but this is not the same as looking through a dedicated square format camera’s viewfinder and being able to achieve full-resolution files. So, what does a photographer preferring the square format do? My option has always been to shoot square format film cameras.
Camera Bag Versatility
While assembling my Fuji X-Pro2 (XP2) kit, I began looking for a lightweight bag to store it all in. I wanted the bag to carry my lenses in cases and be easy to work out of from the back of a vehicle. I also use the XP2 in the studio, so the bag had to offer something. Would it be possible to find such a versatile bag?