Explore the unique visual stories behind two images of a bouquet in a purple vase, captured with different cameras and processing techniques. #photography
Same Scene, Different Vision: Study in Film & Digital Photography
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What Darwin Saw: My First Steps into Digital Photography
My Nikon D200 debut in the Galápagos taught me invaluable lessons: prepare before traveling with new gear. Mistakes can lead to exceptional images like What Darwin Saw.
Mercury Classic
I share images of classic cars made with the Sigma SD1 Merrill and Sigma 35mm f/1.4 Art Lens from a trip to an antique car show in Gadsden County, Florida.
FUJIFILM CAMERAS & FILM
Learn about the Fujifilm APS-C system, including the X-Pro, X100, and X-E2 cameras, Neopan Acros black-and-white film, and Instax film options. Explore the features, lenses, and accessories that make Fujifilm a favorite choice for photographers.
FILM + PROCESS
Explore film photography gear, formats, and tools—plus personal insights on testing films, processing equipment, and favorite formats from hands-on experience.
Understanding the Exposure Triangle in Photography
Unravel the Exposure Triangle to master well-exposed images in photography. Learn how aperture, shutter speed, and ISO work together to create stunning visuals.
Pinhole Photography: Perfect Exposure Without Gadgets
A pinhole camera, often called a “camera obscura,” is a lensless camera used for centuries to study light and optics. Today, it is popular in education and art. Photographers craft pinhole cameras from everyday items like cigar boxes and paint cans, or through CNC machining and woodworking. Others opt for ready-made pinholes compatible with existing cameras or those manufactured by others. This timeless device continues to inspire creativity and exploration in the photography world.
Infrared Photography Part 1: Sigma SD1M
I first tried infrared (IR) photography back in the mid-1990s with a Nikon F3 camera and lenses and the now discontinued Kodak High-Speed Infrared film (Kodak HIE). It was more difficult to shoot IR film when compared to my recent tryout with IR digital because: (1) the film had to be loaded and unloaded in total darkness which made reloading out in the field difficult and (2), you had to wait for the film to be processed to see the results.