HASSELBLAD DIGITAL CAMERAS

907x 50c

The Hasselblad 907x 50c draws inspiration from the iconic Hasselblad 500 series while incorporating modern digital capture. Its 50-megapixel CFV II 50C digital back seamlessly attaches to 500-series film bodies and, with a flash sync cable, to technical cameras as well. When paired with the 907x body and an XCD lens, it also supports autofocus. It offers photographers automatic exposure, bracketing functions, and streamlined operation—features that blend classic design with modern usability.

Despite its compact size, the 907x benefits from a grip or strap for comfortable handling. I secure mine with a wrist strap, which works well for my shooting style. When cradled in the hands, it handles similarly to a 500-series body equipped with a waist-level finder, maintaining that familiar Hasselblad feel.

I originally acquired the 907x specifically for use with the CFV II 50C, replacing my earlier CFV50C. Later, I added the XCD 45P lens to explore the native XCD system. The pairing proved seamless, and I successfully used this setup handheld for street-style photography with excellent results. Now, in 2025, I have completed a three-lens XCD “P” kit—the 28, 45, and 75—which should serve me well for quite some time.

Hasselblad offers a dedicated Control Grip, but I chose a different solution. As shown above, I use the Kirk Universal L-Bracket paired with a SmallRig Wooden Side Handle. For most of my cameras, including the 907x, I rely on the Peak Design Wrist Strap, which provides secure handling without adding bulk.

The 907x 100c is a modern medium-format digital camera that combines Hasselblad’s design heritage with today’s resolution and color fidelity. At its core is a 100-megapixel BSI CMOS sensor delivering 16-bit color depth and approximately 15 stops of dynamic range. The result is exceptional detail and tonal richness, well-suited for large-format printing and high-end commercial applications.

The design pays direct homage to Hasselblad’s classic V-series cameras. The slim 907x body pairs with the CFV 100c digital back to form a fully modular system that can be used with native XCD lenses or adapted for legendary V-system glass. Its tilting rear touchscreen supports waist-level shooting, closely echoing the experience of working with film Hasselblads while providing all the benefits of modern digital capture.

Unlike many contemporary digital cameras that emphasize speed and automation, the 907x 100c is built around precision and craftsmanship. It does not offer high-frame-rate burst shooting, in-body image stabilization, or video-centric features. Instead, it encourages a slower, more deliberate working method—ideal for photographers who value intentional image-making and want the highest possible image quality straight from the camera.

When capturing stitched landscapes on clear, wind-free days, I rely on a proven panoramic support setup: an RRS Series 1 tripod paired with an Acratech Panoramic Head and Leveling Base, complemented by a FotoPro Eagle 6 gimbal-style head, as shown above.

This configuration supports both my 907x, fitted with a Kirk Universal L-Bracket, and my ALPA TC, which features a dedicated attachment shoe, allowing me to switch between systems as needed.

While I have successfully used this stitching setup with my Hasselblad 500-series film bodies, I generally prefer the 907x for stitching due to its automatic exposure, electronic shutter, and bracketing capabilities. When I choose to stitch with the CFi 100 mm or CFi 180 mm lenses, I use the XV lens adapter for its lighter weight compared to the 500-series bodies. I am uncertain whether I will ever add a longer lens to the 907x system; at present, my longest native lens, the 75P, is working well for stitching.