If you use a 4×5 or any bellows camera, knowing when and how to apply bellows extension compensation is key. This guide covers simple, effective methods.
Bellows Extension Compensation Made Simple: Methods, Tools & Tips
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Exploring 40 Years of Photography, Art, and Knowledge
As photoscapes.com undergoes a transformation from selling prints to sharing information, a seasoned commercial artist and photographer with 40 years of experience offers insights into camera gear, film photography, and upcoming projects.
HASSELBLAD FILM AND DIGITAL CAMERAS
For those seeking the ultimate medium format camera system, look no further than Hasselblad. Renowned for its robust, modular design, Hasselblad cameras are built to withstand the rigors of a commercial photography career. With interchangeable components like lenses, viewfinders, film magazines, and digital backs, Hasselblad offers unparalleled flexibility and dependability. Whether shooting film or digital, on location or in the studio, Hasselblad’s V-series and digital backs deliver exceptional image quality and durability. Discover the timeless appeal and innovative features of Hasselblad, a trusted name in professional photography.
FUJIFILM CAMERAS & FILM
Learn about the Fujifilm APS-C system, including the X-Pro, X100, and X-E2 cameras, Neopan Acros black-and-white film, and Instax film options. Explore the features, lenses, and accessories that make Fujifilm a favorite choice for photographers.
LINHOF CAMERAS
Explore the world of Linhof cameras and gear, including the Baby Color 6×9, Master Technika 3000, Techno Rollex, and bellows focusing viewer. Discover the precision engineering and craftsmanship that make Linhof products a top choice for professional photographers.
SINAR NORMA
Carl Hans Koch created the Sinar Norma view camera in 1947 from his garage in Switzerland. Norma does not represent a famous female or a family member but the German word for “normal.” It means “standard,” as in a basic view camera kit [source]. The Norma was in production until 1969. It is a simple, precise, elegant modular camera system that would become the worldwide benchmark for large-format monorail view camera systems. The Norma is my choice for studio work, even in the digital age. It was not always this way, as I have owned monorail cameras designed specifically for digital, but I love the classic design of the Norma and the Sinar P2. I may acquire a P2 someday, but until then, it is Norma for me.
NIKON CAMERAS
I have shot with Nikon cameras since the start of my commercial career, beginning with a black F3HP purchased new from the counter at 47th Street Photo in 1985. However, I no longer shoot Nikon DSLRs today because I switched to APS-C mirrorless after they became good enough. My first digital DSLR was the Nikon D200, and my last was the beautiful D700. My instructor’s camera was the D750 I selected and used, but it was the college’s property where I taught. My film “Mommy Camera” was the 35Ti, and it served me well, capturing precious memories of my son as he grew up. The 35Ti was small, quick, and precise, with a lens that suited my shooting needs. Even though I no longer shoot digital Nikons, I occasionally shoot an F3/T film camera. However, Nikon large format lenses were my choice after returning to a large format kit a few years after I left it for medium format digital.