In this article, I share the previsualization technique that guides me to where I need to set up the camera.
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EBONY CAMERA
The Ebony Camera Company was started in 1981 when Hiromi Sakanashi, a photographer from Kyushu, Japan, could not find a large-format camera that was lightweight and portable like a field camera but with the rigidity of a monorail. So Hiromi decided to create his own, and other photographers noticed and asked him to build them one, too; thus, the Ebony Camera Company was born.
FUJIFILM CAMERAS & FILM
Learn about the Fujifilm APS-C system, including the X-Pro, X100, and X-E2 cameras, Neopan Acros black-and-white film, and Instax film options. Explore the features, lenses, and accessories that make Fujifilm a favorite choice for photographers.
LINHOF CAMERAS
Explore the world of Linhof cameras and gear, including the Baby Color 6×9, Master Technika 3000, Techno Rollex, and bellows focusing viewer. Discover the precision engineering and craftsmanship that make Linhof products a top choice for professional photographers.
NIKON CAMERAS
I have shot with Nikon cameras since the start of my commercial career, beginning with a black F3HP purchased new from the counter at 47th Street Photo in 1985. However, I no longer shoot Nikon DSLRs today because I switched to APS-C mirrorless after they became good enough. My first digital DSLR was the Nikon D200, and my last was the beautiful D700. My instructor’s camera was the D750 I selected and used, but it was the college’s property where I taught. My film “Mommy Camera” was the 35Ti, and it served me well, capturing precious memories of my son as he grew up. The 35Ti was small, quick, and precise, with a lens that suited my shooting needs. Even though I no longer shoot digital Nikons, I occasionally shoot an F3/T film camera. However, Nikon large format lenses were my choice after returning to a large format kit a few years after I left it for medium format digital.