Discover the advantages of shooting 4×5 film over 120 film for panoramic photography, including cost savings and convenience.
4×5 vs 120 Film for Panoramas: Cost & Convenience Comparison
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Twelve Plus Two
What a curious title, “Twelve Plus Two,” for this image, wouldn’t you agree? Learn how I turned a 4×5 black & white negative into a unique colored palette of my choosing.
Hokkaido, by Michael Kenna
Michael Kenna’s Hokkaido is a visual and emotional journey through Japan’s northernmost island’s serene and mystical landscapes.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
A Photographer’s Journey: How a Hasselblad Shaped My Career
In the summer of ’85, a chance encounter at KEH Camera Brokers led to the acquisition of a Hasselblad camera that transformed my photography career.
Shading and Enhancing: The Matte Box Advantage
I discovered that a matte box, typically used with DSLR and video cameras, can also be an excellent accessory for other camera types, like panoramic and large-format cameras.
Film and Digital with Iconic Hasselblad Cameras
Discover how to balance between film and digital photography using two unique Hasselblad cameras from the V system. Explore the intricate dance between classic and contemporary methods in capturing artistic expression.
Ethical Considerations in Film Photography
Whether using film or digital photography, ethical considerations come into play. This article addresses ethical considerations concerning film photography.
The Film Photographer’s Guide to Managing Fixer Exhaustion
Learn how to monitor the total film surface area your fixer has been used on to prevent exhaustion and discover tips for keeping it clean and free from particles during film processing.
Exploring 40 Years of Photography, Art, and Knowledge
As photoscapes.com undergoes a transformation from selling prints to sharing information, a seasoned commercial artist and photographer with 40 years of experience offers insights into camera gear, film photography, and upcoming projects.
Digitizing Film Part 3: APS-C, Lightroom, Film Storage, more
I have been digitizing my film at the kitchen table with my very capable Kaiser RS 2 XA Copy Stand, Fujifilm X-Pro3, and Skier Sunray Copy Box. I have learned a few things from doing this and felt it was time for an update.
Shedding Light on Filter Factors: A Guide to Optimizing Exposure in Photography
This article explores filter factors, explaining their function and presenting three distinct methods for calculation.
ALPA CAMERAS
ALPA has become my preferred medium format system in the digital age due to its precision, durability, lightweight design, and versatility. It performs admirably in studio settings with a digital back and in outdoor landscapes with film or digital capture.
Considering the expenses associated with digital backs, lenses, and other accessories, the ALPA system is undoubtedly a high-end investment. Even in the secondary market, ALPA equipment commands significant prices, with certain lenses being particularly rare and challenging to find. Nonetheless, transitioning to the ALPA system was the ideal choice for me, as I was transitioning from primarily using Hasselblad and 4×5″ film cameras to medium format digital. I started with my first ALPA body, the MAX, in 2012, and I have no regrets and would gladly reinvest in the ALPA system if faced with the same circumstances.
How To Use The Zone System In Photography
Even though the Zone System is over 80 years-old, it is still relevant today whether shooting modern films or digital capture. This article is for photographers wanting to learn more about the Zone System for their particular workflow. We will look at how the Zone System works with a classic film-to-darkroom workflow, and a hybrid film-to-digital workflow. If you are strictly a digital photographer, you will find a better understanding of what the Zone System can offer you as well.
Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
I perform a number of tasks while creating image files that include bracketing + blending exposures, and slicing + stitching larger film sizes. Bracketing may not always be necessary, but with the convenience, a digital camera brings to this type of task, it cannot hurt.
4×5 Film Holders: Care & Carry
In photography school, I was taught to use a pastry brush to clean the dust out of my film holders. I still use this technique today, and it works, or I would have changed it to something else long ago. Get a brush like this one and clean out your film holders periodically.
DIY Camera Caddy: Secure Your Gear While On-The-Go
I had an older Stanley Tool Caddy I used on environmental portrait shoots years ago. It held an extra lens, a light meter, film, and other small items I would like to access during a shoot. It was a good size for my needs, easy to carry, and durable enough with a thick waterproof bottom.
Polaroid 55 P/N: How I Shoot It
Polaroid Type 55 film was designed for large format cameras and was popular among professional photographers and artists. It offered a unique and versatile feature: each exposure produced both a positive print and a high-quality negative. This made it a favorite among photographers who needed an instant print for quick reference and a negative for further processing and enlargement.