If you use a 4×5 or any bellows camera, knowing when and how to apply bellows extension compensation is key. This guide covers simple, effective methods.
Bellows Extension Compensation Made Simple: Methods, Tools & Tips
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Why Pet Portraits Matter: Rusty Rocket
A timeless pet portrait captured on Polaroid Type 55 film—a story of trust, resilience, and the unbreakable bond between a photographer and her rescue dog.
The Art of Pre-Visualization in Landscape Photography
In this article, I share the previsualization technique that guides me to where I need to set up the camera.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
Shading and Enhancing: The Matte Box Advantage
I discovered that a matte box, typically used with DSLR and video cameras, can also be an excellent accessory for other camera types, like panoramic and large-format cameras.
photoscapes: The Next Chapter
As photoscapes.com undergoes a transformation from selling prints to sharing information, a seasoned commercial artist and photographer with 40 years of experience offers insights into camera gear, film photography, and upcoming projects.
EBONY CAMERA
The Ebony Camera Company was started in 1981 when Hiromi Sakanashi, a photographer from Kyushu, Japan, could not find a large-format camera that was lightweight and portable like a field camera but with the rigidity of a monorail. So Hiromi decided to create his own, and other photographers noticed and asked him to build them one, too; thus, the Ebony Camera Company was born.
FUJIFILM CAMERAS & FILM
Learn about the Fujifilm APS-C system, including the X-Pro, X100, and X-E2 cameras, Neopan Acros black-and-white film, and Instax film options. Explore the features, lenses, and accessories that make Fujifilm a favorite choice for photographers.
FOTOMAN 6×17 CAMERAS
Explore Fotoman 617 cameras and gear—from specs to DIY accessories—and discover the beauty of panoramic film photography with this iconic camera system.
FILM + PROCESS
Explore the world of film photography with a detailed look at different film formats, darkroom tools, and film processing equipment. From favorite testing films to preferred film formats, this article delves into the author’s experiences and preferences in the realm of film photography.
NIKON CAMERAS
I have shot with Nikon cameras since the start of my commercial career, beginning with a black F3HP purchased new from the counter at 47th Street Photo in 1985. However, I no longer shoot Nikon DSLRs today because I switched to APS-C mirrorless after they became good enough. My first digital DSLR was the Nikon D200, and my last was the beautiful D700. My instructor’s camera was the D750 I selected and used, but it was the college’s property where I taught. My film “Mommy Camera” was the 35Ti, and it served me well, capturing precious memories of my son as he grew up. The 35Ti was small, quick, and precise, with a lens that suited my shooting needs. Even though I no longer shoot digital Nikons, I occasionally shoot an F3/T film camera. However, Nikon large format lenses were my choice after returning to a large format kit a few years after I left it for medium format digital.
ARCA SWISS CAMERAS
A photographer shares their experience of using Arca Swiss field film cameras and the M-Line Two made-for digital view camera tethered to a Phase One P45 digital back for studio work.
Polaroid 55 P/N: How I Shoot It
Polaroid Type 55 film was designed for large format cameras and was popular among professional photographers and artists. It offered a unique and versatile feature: each exposure produced both a positive print and a high-quality negative. This made it a favorite among photographers who needed an instant print for quick reference and a negative for further processing and enlargement.