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In this post, we’ll explore various options for viewing frames—from ready-made tools like the ViewCatcher, to repurposing materials you might already have, and even crafting your own custom viewing frame.
This article explores the rationale behind utilizing high-megapixel cameras or merging multiple images of a scene to produce a high-megapixel composite.
For those seeking the ultimate medium format camera system, look no further than Hasselblad. Renowned for its robust, modular design, Hasselblad cameras are built to withstand the rigors of a commercial photography career. With interchangeable components like lenses, viewfinders, film magazines, and digital backs, Hasselblad offers unparalleled flexibility and dependability. Whether shooting film or digital, on location or in the studio, Hasselblad’s V-series and digital backs deliver exceptional image quality and durability. Discover the timeless appeal and innovative features of Hasselblad, a trusted name in professional photography.
Learn about the Fujifilm APS-C system, including the X-Pro, X100, and X-E2 cameras, Neopan Acros black-and-white film, and Instax film options. Explore the features, lenses, and accessories that make Fujifilm a favorite choice for photographers.
Explore the world of film photography with a detailed look at different film formats, darkroom tools, and film processing equipment. From favorite testing films to preferred film formats, this article delves into the author’s experiences and preferences in the realm of film photography.
Mamiya cameras have a rich history among both professional and amateur photographers. I first encountered Mamiya cameras when I began my career in wedding photography during the film era. While the Mamiya 645 was popular, I ultimately chose the Hasselblad 6×6 format. Later, I acquired an RB67 Pro SD but found it too heavy to carry and passed it on to an assistant. I shot with an RZ67 Pro IID and a Phase One P45 when medium-format digital became practical. While the RZ was excellent for film or tethered shooting in the studio, I passed it on to a ‘film-only photographer’ after a few frustrating portrait shoots. Live View has made focusing on the RZ much easier, as with my old film Hasselblads. You cannot go wrong with Mamiya film cameras and lenses; they still hold a special place in my heart and camera bag.