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As photoscapes.com undergoes a transformation from selling prints to sharing information, a seasoned commercial artist and photographer with 40 years of experience offers insights into camera gear, film photography, and upcoming projects.
Explore film photography gear, formats, and tools—plus personal insights on testing films, processing equipment, and favorite formats from hands-on experience.
From my first Nikon F3HP in 1985 to mirrorless APS-C today, my Nikon journey spans film, DSLRs, and large format lenses—each with a purpose and story.
Exploring the journey from the Canon AE-1 to Nikon DSLRs, this article delves into the author’s experiences with both camera brands, highlighting the unique features and memories associated with each.
I first tried infrared (IR) photography back in the mid-1990s with a Nikon F3 camera and lenses and the now discontinued Kodak High-Speed Infrared film (Kodak HIE). It was more difficult to shoot IR film when compared to my recent tryout with IR digital because: (1) the film had to be loaded and unloaded in total darkness which made reloading out in the field difficult and (2), you had to wait for the film to be processed to see the results.