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In a winter photography excursion armed with a Sigma SD1 camera and a challenging 500mm lens, the goal was to create an image that combined precision, abstraction, and the artistic potential of the Foveon sensor.
I share images of classic cars made with the Sigma SD1 Merrill and Sigma 35mm f/1.4 Art Lens from a trip to an antique car show in Gadsden County, Florida.
After Hurricane Helene passed through Tallahassee, Florida, photographer Darlene Almeda returned to St. Marks National Wildlife Refuge to capture its beauty.
Discover the eerie charm of an abandoned Old Church School in Madison County, Florida, captured through my lens while exploring the remnants of a rural past.
A photographic journey through Reykjavik, where I capture the linguistic challenges of Icelandic street signs and transforms them into bold, graphic snapshots.
Apalachicola, a quaint town on the Florida Panhandle, has long been renowned for its rich oyster beds, where generations of families have made their livelihoods.
Discover the captivating experience of capturing a the beauty of the St. George Island bridge.
Discover how to balance between film and digital photography using two unique Hasselblad cameras from the V system. Explore the intricate dance between classic and contemporary methods in capturing artistic expression.
Whether using film or digital photography, ethical considerations come into play. This article addresses ethical considerations concerning film photography.
As photoscapes.com undergoes a transformation from selling prints to sharing information, a seasoned commercial artist and photographer with 40 years of experience offers insights into camera gear, film photography, and upcoming projects.
ALPA has become my preferred medium format system in the digital age due to its precision, durability, lightweight design, and versatility. It performs admirably in studio settings with a digital back and in outdoor landscapes with film or digital capture.
In this fast-changing age of digital photography, one ingredient missing is a full frame square format camera or digital back. Yes, you can always crop off for a square, but this is not the same as looking through a dedicated square format camera’s viewfinder and being able to achieve full-resolution files. So, what does a photographer preferring the square format do? My option has always been to shoot square format film cameras.