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The Ebony Camera Company was started in 1981 when Hiromi Sakanashi, a photographer from Kyushu, Japan, could not find a large-format camera that was lightweight and portable like a field camera but with the rigidity of a monorail. So Hiromi decided to create his own, and other photographers noticed and asked him to build them one, too; thus, the Ebony Camera Company was born.
The lens I most regret parting with is the Cooke PS945 soft-focus portrait lens. I let it go when I transitioned from 4×5 portraits to medium-format digital, primarily with ALPA cameras and lenses. I needed the money, so I sold it for the same $3,500 I had originally paid. Today, it’s worth more than double that if you can find one since Cooke no longer manufactures them. This lens would have been perfect for still-life imagery. Unfortunately, as I’m approaching retirement, I won’t have the same income to afford another. Those fortunate enough to own a PS945 are truly lucky.
A photographer shares their experience of using Arca Swiss field film cameras and the M-Line Two made-for digital view camera tethered to a Phase One P45 digital back for studio work.