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Whether you’re a seasoned photographer or just starting out, understanding the world of camera filters can enhance your photography skills. From color balancing filters to ND filters, this guide covers everything you need to know about different types of filters, materials, and systems available in the market.
In My Return to Infrared Photography Part 1 and Part 2 articles, I write about my experiences and workflow using the Sigma SD1 Merrill (SD1M) as an infrared (IR) camera.
I have been digitizing my film at the kitchen table with my very capable Kaiser RS 2 XA Copy Stand, Fujifilm X-Pro3, and Skier Sunray Copy Box. I have learned a few things from doing this and felt it was time for an update.
ALPA has become my preferred medium format system in the digital age due to its precision, durability, lightweight design, and versatility. It performs admirably in studio settings with a digital back and in outdoor landscapes with film or digital capture.
Considering the expenses associated with digital backs, lenses, and other accessories, the ALPA system is undoubtedly a high-end investment. Even in the secondary market, ALPA equipment commands significant prices, with certain lenses being particularly rare and challenging to find. Nonetheless, transitioning to the ALPA system was the ideal choice for me, as I was transitioning from primarily using Hasselblad and 4×5″ film cameras to medium format digital. I started with my first ALPA body, the MAX, in 2012, and I have no regrets and would gladly reinvest in the ALPA system if faced with the same circumstances.