Announcing Series: Pre-Shoot, Shoot, Post-Shoot

Because Even the Best Shots Need a Game Plan

Photography is an incredible journey filled with countless moving parts, and even seasoned photographers can occasionally overlook a detail that can change everything. These elements encompass not just physical tools—like batteries, lenses, and tripods—but also the creative visions we hope to capture before raising the camera. Learning to visualize an image ahead of time is a powerful skill that anyone can learn, underscoring the critical role of preparation.

A successful shoot doesn’t begin with the click of the shutter; it starts well before. In the coming weeks, I’ll be sharing a three-part series that reveals the framework I use to keep every project on track. Whether I’m on a studio assignment or exploring the vast 86,000-acre wildlife refuge I choose to live by, this approach helps me stay prepared while leaving room for the creative discoveries that make photography so rewarding.

At the core of my process are three essential checklists: Pre-Shoot, Shoot, and Post-Shoot. These tools provide a foundation of consistency and peace of mind, allowing me the freedom to unleash my creativity. I invite you to stay tuned as I kick off this series in just a few days!

Recent Posts

Panorama In Pieces

Panorama In Pieces

While away on a quick personal trip to Marietta, Georgia, I tried using my favorite point-and-shoot camera, the Fujifilm x100t for panorama making. Earlier in the week, I instructed my students to make a panorama using Lightroom (LR), vertical slice shots, and manual focus for their weekly shoot assignment. After a brief walk around Marietta Square, I thought I would try and photograph a beautiful church and challenge the software with vertical and horizontal slices to see if a tourist with a point-and-shoot camera could make a decent-looking panorama and then share the results with my students.

Infrared Photography Part 2: Sigma SD1M

Infrared Photography Part 2: Sigma SD1M

In Part 1 of this discussion, I explained my current foray into digital infrared (IR) photography and used the Sigma SD1M as my camera of choice. My reasons for choosing the SD1M are the user-friendly removal of the IR blocking filter, and the fact that I currently use the SD1M in my color art photography work. I like the Foveon sensor of the SD1M very much and if you want to use a Foveon sensor, you will have to use a Sigma camera.

Infrared Photography Part 1: Sigma SD1M

Infrared Photography Part 1: Sigma SD1M

I first tried infrared (IR) photography back in the mid-1990s with a Nikon F3 camera and lenses and the now discontinued Kodak High-Speed Infrared film (Kodak HIE). It was more difficult to shoot IR film when compared to my recent tryout with IR digital because: (1) the film had to be loaded and unloaded in total darkness which made reloading out in the field difficult and (2), you had to wait for the film to be processed to see the results.

Black & White Film Clip Testing

Black & White Film Clip Testing

A film clip test can reveal if your developer and fixer are in good working order. If you enjoy shooting B&W films and want to learn how to develop your film (see my article on how to develop B&W film here), you should include learning how to do a film clip test. I have listened to photographers over the years say how they lost film to a bad developer (it can happen), or their reusable fixer reached its limit, and they made the mistake of using it one more time, only to find out it was too weak to do the work. If these photographers had only done a simple film clip test before they started the development process, it could have saved them their film and disappointment. This article outlines how I do my film clip tests.

Polaroid 55 P/N: How I Shoot It

Polaroid 55 P/N: How I Shoot It

Polaroid Type 55 film was designed for large format cameras and was popular among professional photographers and artists. It offered a unique and versatile feature: each exposure produced both a positive print and a high-quality negative. This made it a favorite among photographers who needed an instant print for quick reference and a negative for further processing and enlargement.