Inspiration isn’t about grand gestures—it’s about finding magic in the ordinary. Embrace small spaces, favorite subjects, and light to reignite creativity.
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Why Pet Portraits Matter: Rusty Rocket
A timeless pet portrait captured on Polaroid Type 55 film—a story of trust, resilience, and the unbreakable bond between a photographer and her rescue dog.
What Darwin Saw: My First Steps into Digital Photography
My Nikon D200 debut in the Galápagos taught me invaluable lessons: prepare before traveling with new gear. Mistakes can lead to exceptional images like What Darwin Saw.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Pinhole Photography: 4×5 Field Camera Pin-tography
In this article, I share my approach to crafting images with a 4×5 field camera with interchangeable pinholes attached to a dedicated lens board.
Black & White Film Developing: Stand, Semi-Stand, Standard
This article is about how I process black-and-white films. I choose to hand process my 4×5, 120, and the occasional 135 films. Here, I will share the processing equipment I have used and what I have been using for the past decade.
Black & White Film Clip Testing
A film clip test can reveal if your developer and fixer are in good working order. If you enjoy shooting B&W films and want to learn how to develop your film (see my article on how to develop B&W film here), you should include learning how to do a film clip test. I have listened to photographers over the years say how they lost film to a bad developer (it can happen), or their reusable fixer reached its limit, and they made the mistake of using it one more time, only to find out it was too weak to do the work. If these photographers had only done a simple film clip test before they started the development process, it could have saved them their film and disappointment. This article outlines how I do my film clip tests.