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A playful studio experiment comparing Kodak TMAX 100 and Ektapan 100 turns into a thoughtful exploration of perception, post processing, and how photographers interpret black and white film.
Camera scanning film with Negative Supply tools: light source, carriers, and workflow insights for efficient digitizing of 35mm, 120, and 4×5 film.
Discover Hasselblad—renowned for modular design, durability, and exceptional image quality in both film and digital medium format photography.
Classic pet portraiture on film: Hasselblad 501CM, TMAX 100, and 510 Pyro developer, with Joey the Tiger showing his regal personality in the studio.
How I shot 1966-expired Kodak Panatomic-X in a stormy studio session, capturing printable frames, vintage charm, and a soft-focus orchid I adore.
Hand-coloring 4×5 film brings Micanopy’s charm to life. From large-format photography to Photoshop colorization, discover the art behind the image.
What a curious title, “Twelve Plus Two,” for this image, wouldn’t you agree? Learn how I turned a 4×5 black & white negative into a unique colored palette of my choosing.
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
I have been digitizing my film at the kitchen table with my very capable Kaiser RS 2 XA Copy Stand, Fujifilm X-Pro3, and Skier Sunray Copy Box. I have learned a few things from doing this and felt it was time for an update.
Learn about cameras, macro lenses, copy stands, light sources, and film carrier systems used for digitizing film and camera scanning workflows. A practical long-term guide based on real-world experience.
A creative blend of analog and digital—each 4×5 film image hand-colored in Photoshop, bridging photography, painting, and imagination.