A simple thrift shop visit turns into a still life project, showing how photographic ideas can appear quietly through observation and intention.
Second Life Still Life: When a Project Shows Up
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Lighting 101.02 – Shape and Value in Photography
In Part Two of Lighting 101, color is set aside to explore how light direction shapes form and value through simple black-and-white still life studies.
Stillness and Sky: The Old Tobacco Barn
Once vital to a Southern way of life, this weathered tobacco barn now leans into memory. A portrait in light, silence, and the beauty of what remains.
The Last Watch: A fictional tale inspired by a real photograph
A ghostly encounter at Fort Clinch inspires a haunting fictional tale, connecting a Civil War watchman, memory, and a modern photographer’s lens.
Infrared Photography at Big Talbot Island: Magic in Monochrome
Discover the surreal beauty of Big Talbot Island through infrared photography. Explore Boneyard Beach and uncover a world unseen by the naked eye.
Why Pet Portraits Matter: Rusty Rocket
A timeless pet portrait captured on Polaroid Type 55 film—a story of trust, resilience, and the unbreakable bond between a photographer and her rescue dog.
Same Scene, Different Vision: Film & Digital Photography
Explore the unique visual stories behind two images of a bouquet in a purple vase, captured with different cameras and processing techniques. #photography
Mastering Digital Black-and-White: At The Water’s Edge
A quiet study in light and reflection — merging film’s grace with digital precision at the marshes of North Florida.
Film Digitization: Technique and Exploring Creativity
Insights into my process of digitizing film using cameras, reflecting on my journey from film to digital and the importance of technique over equipment.
FILM + PROCESS
Explore film photography gear, formats, and tools—plus personal insights on testing films, processing equipment, and favorite formats from hands-on experience.
Digital Infrared Photography: Sigma SD1 Merrill, Part 2
Early infrared experiments using the Sigma SD1 Merrill, exploring techniques that led to today’s work with a 590nm-converted Fujifilm X-E2.