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HASSELBLAD FILM & DIGITAL CAMERAS
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Cambo Wide Meets Tabletop Photography
A panoramic camera, a close-up filter, and a batch of fake tulips walk into a studio… here’s what happened when I broke all the rules.
Hands-On with the Cambo 6×12 Film Magazine C-243
A detailed review of the Cambo C-243 6×12 film magazine: build quality, film loading, operation, and why it’s a top pick for panoramic 4×5 shooters.
Same Scene, Different Vision: Film & Digital Photography
Explore the unique visual stories behind two images of a bouquet in a purple vase, captured with different cameras and processing techniques. #photography
Cutting Film with Precision: A Guide to Stress-Free Slide Mounting
Struggling to cut film accurately? Discover how to achieve clean, precise cuts effortlessly with the Matin Multiple Slide Film Cutter and a lightbox.
4×5 vs 120 Film for Panoramas: Cost & Convenience Comparison
Discover the advantages of shooting 4×5 film over 120 film for panoramic photography, including cost savings and convenience.
Hokkaido, by Michael Kenna
Michael Kenna’s Hokkaido is a visual and emotional journey through Japan’s northernmost island’s serene and mystical landscapes.
Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
This article reviews two rolls of 120 film shot in succession in Hasselblad A12 and A24 film magazines with a 501CM camera and CF 135 lens and Vario-Tube.
Shading and Enhancing: The Matte Box Advantage
I discovered that a matte box, typically used with DSLR and video cameras, can also be an excellent accessory for other camera types, like panoramic and large-format cameras.
Film and Digital with Iconic Hasselblad Cameras
Discover how to balance between film and digital photography using two unique Hasselblad cameras from the V system. Explore the intricate dance between classic and contemporary methods in capturing artistic expression.
EBONY CAMERAS
Founded in 1981 by Hiromi Sakanashi, Ebony Camera Co. crafted lightweight, rigid large-format field cameras that quickly gained attention from photographers.
Black & White Film Developing: Stand, Semi-Stand, Standard
This article is about how I process black-and-white films. I choose to hand process my 4×5, 120, and the occasional 135 films. Here, I will share the processing equipment I have used and what I have been using for the past decade.
FOTOMAN 6×17 CAMERAS
Explore Fotoman 617 cameras and gear—from specs to DIY accessories—and discover the beauty of panoramic film photography with this iconic camera system.
FILM + PROCESS
Explore film photography gear, formats, and tools—plus personal insights on testing films, processing equipment, and favorite formats from hands-on experience.
ROLLEIFLEX CAMERAS
Discover the legacy of a cherished Rolleiflex camera, passed down through generations, capturing timeless portraits with vintage charm and sentimental value.