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About this site: photoscapes: The Next Chapter and darlene almeda

• 4×5 Film Holders: Care & Carry
• 4×5 vs 120 Film for Panoramas: Cost & Convenience Comparison
• A Gobo, a Snoot, and a Sandwich
• A Jersey Girl Remembers: Twilight on Batsto Lake
• A Photo Project Is Born: I Mourn In Their Place
• A Photographer’s Journey: How a Hasselblad Shaped My Career
• A Viewfinder for the Soul
• Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
• Adult Day Care Center Open
• Along Route 40, Reykjavik
• ALPA CAMERAS
• Ansel Adams’ Examples: The Making of 40 Photographs
• ARCA SWISS CAMERAS
• Basics and Applications: Creative Large Format
• Beauty After The Storm: St. Marks NWR After Hurricane Helene
• Bellows Extension Compensation Made Simple: Methods, Tools & Tips
• Binocular Viewer Customized for Ebony 4×5 Cameras
• Black & White Film Clip Testing
• Black & White Film Developing: Stand, Semi-Stand, Standard
• CAMBO CAMERAS
• Cambo Wide Meets Tabletop Photography
• Camera Bag Versatility
• CANON CAMERAS
• Capturing Clarity: A Guide to MTF Charts and Lens Sharpness
• Capturing Ethereal Glow with Extension Tubes
• Certain Places, by William Clift
• Choosing Silence: Why I’ve Disabled Comments On My Website
• Circle of Confusion: Format Size Shapes Your Depth of Field
• COOKE PS945 LENS
• Creative Techniques Using Shutter Speed
• Curtsy: A Story of Resilience, Photography, and the Power of Art
• Cutting Film with Precision: A Guide to Stress-Free Slide Mounting
• Digitizing Film Part 1: Copy Stands, Film Holders, Medium Format
• Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
• Digitizing Film Part 3: APS-C, Lightroom, Film Storage, more
• DIY Custom Case for Your Digital Back
• EBONY CAMERAS
• Ethical Considerations in Film Photography
• F/Stops: An Essential Tool in Creative Photography
• FILM + PROCESS
• Film and Digital with Iconic Hasselblad Cameras
• Film Digitization: Technique and Exploring Creativity
• FILTERS
• Finding Inspiration in Simple Things: Overcoming Creative Slumps
• FOCUS: A Study In Creative Vision
• Fotoman 6×17 Lens Change Part #1: The Lens Cone
• Fotoman 6×17 Lens Change Part #2: Calibration
• FOTOMAN 6×17 CAMERAS
• Framing the Shot: A Guide to Viewing Frames for Photographers
• From Soap Bubbles to Emotion: How I Create Abstract Macro Photography
• From Tool Caddy to Camera Buddy: A DIY Gear Solution on the Go
• FUJIFILM CAMERAS & FILM
• Geometry of Film Fragments: The Art of Letting Go
• Hand-Coloring 4×5 Film: Capturing Micanopy’s Timeless Charm
• Hands-On with the Cambo 6×12 Film Magazine C-243
• Hasselblad 907x and Tech Camera Digital Plate Rear Covers
• HASSELBLAD FILM AND DIGITAL CAMERAS
• Hokkaido, by Michael Kenna
• How I Organize My Lightroom Catalog (Why File Names Matter)
• How To Use The Zone System In Photography
• Infrared Photography at Big Talbot Island: Magic in Monochrome
• Infrared Photography Part 1: Sigma SD1M
• Infrared Photography Part 2: Sigma SD1M
• Infrared Photography Part 3: Fujifilm X-E2
• Iowa, by Nancy Rexroth
• ISO Speed: Sensitivity, Signal, and Creative Control
• Joyce Tenneson’s Shells: Nature’s Exquisite Creations, A Review
• Laugh Lines and Light Leaks: Humor Behind the Lens
• Lens Case Recycling: Updating The Labels
• Let the Work Speak
• LIGHT METERS
• LINHOF CAMERAS
• Looking At Photographs, by John Szarkowski
• Looking Through Loupes
• MAMIYA CAMERAS
• Mastering Digital Black-and-White: At The Water’s Edge
• Mercury Classic
• Mesmerizing Floral Beauty: Intimacy by Joyce Tenneson
• MINOLTA CAMERAS
• Modern Nature: Georgia O’Keeffe and Lake George, by Coe, Robertson, & Owens
• New Studio Camera and Lenses
• NIKON CAMERAS
• Old Church School
• Organizing Digital and Film Portfolios
• Oyster Boats of Apalachicola
• Panorama In Pieces
• PENTAX CAMERAS
• PHASE ONE P45 & FlexAdaptor
• photoscapes: The Next Chapter
• PINHOLE CAMERAS
• Pinhole Photography: 4×5 Field Camera Pin-tography
• Pinhole Photography: Optimal Pinhole Sizes
• Pinhole Photography: Perfect Exposure Without Gadgets
• Polaroid 55 P/N: How I Shoot It
• POLAROID FILM & CAMERAS
• PORTA-BRACE
• PORTEEN GEAR
• RODENSTOCK
• ROLLEIFLEX CAMERAS
• Same Scene, Different Vision: Study in Film & Digital Photography
• SCHNEIDER-KREUZNACH
• Sea Grass & Beach: The Art of Balancing Light
• Selling Over 500K Images: From Print Sales to Digital Success
• Shading and Enhancing: The Matte Box Advantage
• Shedding Light on Filter Factors: A Guide to Optimizing Exposure in Photography
• SHEN HAO DAYI
• Shooting a Rolleiflex with Studio Flash and Rolleinars
• Shooting Panatomic-X from 1966: One Roll, One Storm, One Orchid
• SIGMA CAMERAS
• Simplicity in Macro Photography: Capturing a Moving Subject
• SINAR CAMERAS
• Snapshot
• SONY CAMERAS
• St. George Island Autumn
• St. George Island Bridge
• Stargazer: A Reflection on Light, Stillness, and Craft
• Stillness and Sky: The Old Tobacco Barn
• STONE PHOTO GEAR
• STUDIO LIGHTING
• TAMRAC
• TENBA
• The Art of Pre-Visualization in Landscape Photography
• The Custard Castle: A Tale of Time and Memories
• The Cutting Room Floor: A Creative Exploration Story
• The Difference Is Creative Intent
• The Film Photographer’s Guide to Managing Fixer Exhaustion
• The Glamour of Shooting Film
• The House They Left Behind: A Story of Florida’s Fading Past
• The Last Watch: A fictional tale inspired by a real photograph
• The NONS Instant Back: Bringing Instant Gratification to Your Hasselblad Experience
• The Painted Landscape: Orange You Glad I Came Back?
• The Stream That Remains
• The Underside of Grace
• THINK TANK
• TRIPODS
• Twelve Plus Two
• Understanding the Exposure Triangle in Photography
• Unmerciful Sun
• Using the ALPA Focusing Bellows with Digital Backs
• What Darwin Saw: My First Steps into Digital Photography
• Why I Let AI Index My Site (And Why That’s OK)
• Why Pet Portraits Matter: Rusty Rocket
• WISNER
• Worldwide Pinhole Day 2025: Tempus Fugit

Total Articles: 144 | Last Updated: August 11, 2025