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About this site: photoscapes: The Next Chapter and darlene almeda
- 4×5 Film Holders: Care & Carry
- 4×5 vs 120 Film for Panoramas: Cost & Convenience Comparison
- Adapting to Change: Shooting 120 Film in Hasselblad A24 Magazines
- Adult Day Care Center Open
- Along Route 40, Reykjavik
- ALPA CAMERAS
- Announcing Series: Pre-Shoot, Shoot, Post-Shoot
- Ansel Adams’ Examples: The Making of 40 Photographs
- ARCA SWISS CAMERAS
- Art of Black and White Developing by John Finch, The
- Art of Pre-Visualization in Landscape Photography, The
- Basics and Applications: Creative Large Format
- Beauty After The Storm: St. Marks NWR After Hurricane Helene
- Bellows Extension Compensation Made Simple: Methods, Tools & Tips
- Binocular Viewer Customized for Ebony 4×5 Cameras
- Black & White Film Clip Testing
- Black & White Film Developing: Stand, Semi-Stand, Standard
- Broad & Fourth Avenue, Small Town America
- CAMBO CAMERAS
- Cambo Wide Meets Tabletop Photography
- Camera Bag Versatility
- CANON CAMERAS
- Capturing Clarity: A Guide to MTF Charts and Lens Sharpness
- Capturing Ethereal Glow with Extension Tubes
- Certain Places, by William Clift
- Choosing Silence: Why I’ve Disabled Comments On My Website
- Chrome and Color: The Mercury Classic
- Circle of Confusion: Format Size Shapes Your Depth of Field
- COOKE PS945 LENS
- Creative Photography: Giving Old Images a Second Life
- Creative Techniques Using Shutter Speed
- Curtsy: A Story of Resilience, Photography, and the Power of Art
- Custard Castle: A Tale of Time and Memories, The
- Cutting Film with Precision: A Guide to Stress-Free Slide Mounting
- Cutting Room Floor: A Creative Exploration Story, The
- Desert Sands and the Quiet Marvels of the Sigma Merrill
- Difference Is Creative Intent, The
- Digitizing Film Part 1: Copy Stands, Film Holders, Medium Format
- Digitizing Film Part 2: Software, Contact Sheets, Bracketing, Stitching, Workflow
- Digitizing Film Part 3: APS-C, Lightroom, Film Storage, more
- DIY Custom Case for Your Digital Back
- EBONY CAMERAS
- Ethical Considerations in Film Photography
- F/Stops: An Essential Tool in Creative Photography
- FILM + PROCESS
- Film and Digital with Iconic Hasselblad Cameras
- Film Digitization: Technique and Exploring Creativity
- Film Photographer’s Guide to Managing Fixer Exhaustion, The
- FILTERS
- Finding Inspiration in Simple Things: Overcoming Creative Slumps
- FOCUS: A Study In Creative Vision
- FOTOMAN 6×17 CAMERAS
- Fotoman 6×17 Lens Change Part #1: The Lens Cone
- Fotoman 6×17 Lens Change Part #2: Calibration
- Framing the Shot: A Guide to Viewing Frames for Photographers
- From Soap Bubbles to Emotion: How I Create Abstract Macro Photography
- From Tool Caddy to Camera Buddy: A DIY Gear Solution on the Go
- FUJIFILM CAMERAS & FILM
- Geometry of Film Fragments: The Art of Letting Go
- Glamour of Shooting Film, The
- Gobo, a Snoot, and a Sandwich, A
- Hand-Coloring 4×5 Film: Capturing Micanopy’s Timeless Charm
- Hands-On with the Cambo 6×12 Film Magazine C-243
- Hasselblad 907x and Tech Camera Digital Plate Rear Covers
- HASSELBLAD FILM AND DIGITAL CAMERAS
- Hokkaido, by Michael Kenna
- House They Left Behind: A Story of Florida’s Fading Past, The
- How I Organize My Lightroom Catalog (Why File Names Matter)
- How To Use The Zone System In Photography
- Infrared Photography at Big Talbot Island: Magic in Monochrome
- Infrared Photography Part 1: Sigma SD1M
- Infrared Photography Part 2: Sigma SD1M
- Infrared Photography Part 3: Fujifilm X-E2
- Iowa, by Nancy Rexroth
- Is Photography Fake—or Is It Art?
- ISO Speed: Sensitivity, Signal, and Creative Control
- Jersey Girl Remembers: Twilight on Batsto Lake, A
- Joyce Tenneson’s Shells: Nature’s Exquisite Creations, A Review
- Last Watch: A fictional tale inspired by a real photograph, The
- Laugh Lines and Light Leaks: Humor Behind the Lens
- Lens Case Recycling: Updating The Labels
- Let the Work Speak
- LIGHT METERS
- LINHOF CAMERAS
- Looking At Photographs, by John Szarkowski
- Looking Through Loupes
- MAMIYA CAMERAS
- Mastering Digital Black-and-White: At The Water’s Edge
- Mesmerizing Floral Beauty: Intimacy by Joyce Tenneson
- MINOLTA CAMERAS
- Modern Nature: Georgia O’Keeffe and Lake George, by Coe, Robertson, & Owens
- New Studio Camera and Lenses
- NIKON CAMERAS
- NONS Instant Back: Bringing Instant Gratification to Your Hasselblad Experience, The
- Old Church School
- Organizing Digital and Film Portfolios
- Oyster Boats of Apalachicola
- Painted Landscape: Orange You Glad I Came Back?, The
- Panorama In Pieces
- PENTAX CAMERAS
- PHASE ONE P45 & FlexAdaptor
- Photo Project Is Born: I Mourn In Their Place, A
- Photographer’s Journey: How a Hasselblad Shaped My Career, A
- photoscapes: The Next Chapter
- PINHOLE CAMERAS
- Pinhole Photography: 4×5 Field Camera Pin-tography
- Pinhole Photography: Optimal Pinhole Sizes
- Pinhole Photography: Perfect Exposure Without Gadgets
- Polaroid 55 P/N: How I Shoot It
- POLAROID FILM & CAMERAS
- PORTA-BRACE
- PORTEEN GEAR
- Post Shoot: Classic Pet Portraits on Film, The
- Pre Shoot: Preparation Shapes Creativity, The
- Pre-Shoot: Shaping the Vision, Setting the Stage, The
- RODENSTOCK
- ROLLEIFLEX CAMERAS
- Same Scene, Different Vision: Study in Film & Digital Photography
- SCHNEIDER-KREUZNACH
- Sea Grass & Beach: The Art of Balancing Light
- Selling Over 500K Images: From Print Sales to Digital Success
- Shading and Enhancing: The Matte Box Advantage
- Shedding Light on Filter Factors: A Guide to Optimizing Exposure in Photography
- SHEN HAO DAYI
- Shoot: Candid Cat & Joey’s Portrait Session, The
- Shooting a Rolleiflex with Studio Flash and Rolleinars
- Shooting Panatomic-X from 1966: One Roll, One Storm, One Orchid
- SIGMA CAMERAS
- Simplicity in Macro Photography: Capturing a Moving Subject
- SINAR CAMERAS
- Snapshot
- SONY CAMERAS
- St. George Island Autumn
- St. George Island Bridge
- Stargazer: A Reflection on Light, Stillness, and Craft
- Stillness and Sky: The Old Tobacco Barn
- STONE PHOTO GEAR
- Stream That Remains, The
- STUDIO LIGHTING
- TAMRAC
- TENBA
- THINK TANK
- TRIPODS
- Twelve Plus Two
- Underside of Grace, The
- Understanding the Exposure Triangle in Photography
- Unmerciful Sun
- Using the ALPA Focusing Bellows with Digital Backs
- Viewfinder for the Soul, A
- What Darwin Saw: My First Steps into Digital Photography
- Where Design Meets Light: Margaret De Patta’s Vision
- Why I Let AI Index My Site (And Why That’s OK)
- Why Pet Portraits Matter: Rusty Rocket
- WISNER
- Worldwide Pinhole Day 2025: Tempus Fugit
Total Articles: 155 | Last Updated: October 8, 2025
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